sculpture

In Euro Buildings, Lazar Stojić fully detaches the fictional architecture of the euro banknotes from their two-dimensionality while analyzing them in the context of historical structures of value and power. To do so, Stojić interprets the buildings on the 100-euro (Baroque and Rococo), 200-euro (Iron and Glass), and 500-euro (Postmodern) banknotes as sites of power representation. Adapted to each period and architectural design, sculptures of a cathedral, a factory and a bank were created.